Building on the Castlemaine Festival’s historic tradition of a children’s parade, the Children’s Day Parade will kick off featuring the Migration Marching Band; a foot-stomping, street orchestra of the musicians and children who have developed their instruments and pieces during the previous week. Playing their instruments, wearing costumes and carrying the puppets they have made, children and adults will take part in this unique Victory Park event, created by them for the enjoyment of all of us.

Everyone involved in the Parade is to meet at the Victory Park marquee at 11.00am on Saturday 9 April. All welcome.

Then stick around for the Festival Picnic and help make Castlemaine’s biggest ever picnic rug. Enjoy your BYO picnic lunch or some of the delicious food available in the park. There will be short performances, roving characters and lots of other surprises planned for the afternoon.

There will be space to store your picnic rug and food on the day if you and your family are involved in the parade! The Picnic will begin at approx. 12.30pm.

Saltbush is an exquisite interactive journey through the culture and landscape of Aboriginal Australia, celebrated through live dance, music, song and stories. Internationally acclaimed Italian company Compagnia TPO has worked in collaboration with Aboriginal and non-Aboriginal Australians to create another beautiful piece in the highly acclaimed Children’s Cheering Carpet series.

The Saltbush narrative centres on the journey of two friends from different Aboriginal backgrounds as they cross Australia on foot, and is performed on a touch-sensitive floor using infra-red imaging technology that triggers images and sound. Their journey sees them travel across diverse Australian landscapes (countries) — river country, an urban landscape, desert and the sea. The journey is one of discovering the land (country), growing an understanding and acknowledging how it challenges or provokes personal journeys.

Children are invited to explore, play and dance with the performers as the landscape unfolds around them, providing a unique immersive experience, where the audience can become part of this visually beautiful journey.

Co-Artistic directors Davide Venturini (Italy) & Jason Cross (Australia)  Dramaturgy Sasha Zahra (Australia)  Composer/musician Lou Bennett (Australia/Yorta Yorta/Dja Dja Wurrung)  Choreographer Deon Hastie (Australia/Tjapukai)  Dancer Rosealee Pearson (Australia/Yolngu)  Dancer Sani Townson (Australia/Saibai Koedal)  Narrator/performer Jada Alberts (Australia/Larrakia)  Visual artist/designer Delwyn Mannix (Australia/Wangkangurru)  Digital designer Elsa Mersi (Italy)  Technical designer Rossano Monti (Italy)  Sound designer Spartaco Cortesi (Italy)  Artistic collaborations Edoardo Donatini & Francesco Gandi (Italy)  Technical operators Niccolo Gallio & Alberto Martino (Italy)  Tour creative producer Insite Arts — Lee Cumberlidge & Jason Cross (Australia)  TPO manager Valentina Martini (Italy)

This is history at its best —  a ripping yarn with tales of happiness and tragedy, oppression and rebellion, humanity and racism, and our relationship to this land.

Funny, mesmerising, poignant, inspiring, unexpected — four nights of brilliant storytelling from people it really did happen to. Guests include celebrated actress Helen Morse, Tivoli Lovely Vicki Charleston, beloved singer–songwriter Shane Howard, perceptive playwright Hannie Rayson, Indigenous historian and author Tony Birch, novelist and raconteur Shane Malony, columnist Mark Dapin, Victorian Opera musical director Richard Gill and radio journalist Elly Varenti. Together with surprise guests, Festival artists and Castlemaine’s own local identities, such as hot rod specialist Larry O’Toole and Sudanese Chan Nyok, these true life storytelling sessions will celebrate the elemental power of the spoken word.

Stories from Backstage

The show behind the show — the unseen world of theatre as experienced by the artists themselves. For one night only, you’ll be privy to the world of work, machinery, anxieties, egos, disasters and triumphs, as played out behind the proscenium arch and beyond, as some of our brightest stage stars step up to the microphone to tell it like it is.

Featuring:

Hannie Rayson

Hannie Rayson is one of Australia’s most important playwrights and an award-winning author of 11 plays, including Inheritance and Hotel Sorrento. Inheritance has played in Melbourne and Sydney, won two Helpmann Awards, and was adapted as a four-part radio play for ABC Radio National in 2007.

Vicki Charleston – Tivoli Lovely.

The Tivoli was the major venue for variety theatre and vaudeville in Australia for over 70 years. The circuit grew to include Melbourne, Adelaide, Brisbane and Perth by the turn of the century, promoting both local and international musical, variety and comedy acts. It featured a broad spectrum of vaudeville acts including dancers, acrobats, comedians and ventriloquists and the Tivoli was famous for its scantily-clad chorus girls, who were colloquially known as “Tivoli Lovelys”.

Helen Morse

Helen Morse has worked with many companies including Melbourne Theatre Company, The Ensemble, The Independent, Nimrod, Marian Street, Sydney Theatre Company, Hunter Valley Theatre Company, Queensland Theatre Company, Harvest Theatre Company (South Australia) and the State Theatre Company of South Australia. Her notable screen performances also include roles in the film Picnic at Hanging Rock (1975) and the television miniseries A Town Like Alice (1981).

Massimo Scattolin

Massimo Scattolin is widely regarded as one of the finest classical guitarists of our time. He specializes in performing the most challenging concertos for guitar and orchestra. Italian, Massimo will share stories from his richly varied life as a performer which has included performing with the original Buena Vista Social Club. See Festival program for details of Massimo’s performance.

How I Got Here

The roadmap to where you are now is the sum of all parts —  the roads travelled, divergent, intersecting, well trod or newly discovered. From choices made well or regretted, to events that have been entirely out of their hands, these are the unpredictable paths that led tonight’s storytellers to a location, a moment, a realisation…

Shane Howard

In 1982, Shane Howard’s massive anthem “Solid Rock” from the album “Spirit of Place”, (recorded with his legendary band “Goanna”), reverberated across the airwaves and still does today. A prolific songwriter, he and his songs continue to champion the cause of the underdog, provide meaningful insights into the human spirit and interpret the Australian landscape in a way that has helped to build a bridge between Aboriginal and non Aboriginal peoples.

Neil Boyack

Neil Boyack was born and adopted in 1967.  Married in Las Vegas.  Plays music in local hillbilly-rock band Jim Crow.  He writes, and writes, and writes. Transactions, his last short story collection, through The Vulgar Press, saw critical acclaim. New story The Battles appears in Torpedo Volume 5.

Carolyn Neilson

Glasgow born, underpaid ‘Ranga’ mother of three boys, Caroline is passionate about not losing the natural art of storytelling and its place around the dinner table.

Jida Gulpilil Murray

Jida Murray-Gulpilil is working with the Castlemaine State Festival as the cultural representative of the Dja Dja Wurrung people. Through his father – David  Gulpilil, he is also descended from the chief dancers of the Thunder and Lightning people of the Northern Territory.

A Sense of Home

A dream, an idea, a set of plans, a place, a refuge: any way you construct it, home is where you find it. Come and listen to some unforgettable accounts of what’s lost and found in the process.

Terry Jaensch

Terry is an Australian poet/monologist/actor. His first book of poetry, Buoy, was published in 2001 by Five Islands Press. In 2004/05 he collaborated with Singaporean poet Cyril Wong to produce Excess Baggage & Claim, which was launched in 2007. He has been broadcast and interviewed on radio (notably The Conversation Hour with Jon Faine) and in 2004 was commissioned to write and record 15 monologues based on his childhood in a Ballarat orphanage for Life Matters, ABC Radio National. Recently he was awarded first prize in the Melbourne Poets’ Union International Poetry Competition for his poem Galah.

Jarnil

Jarnil is a refugee from Afghanistan. He arrived alone in Castlemaine, where the townsfolk held a fundraiser to assist his return to Afghanistan to collect his family. He and his family now live in Castlemaine where he has a market stall at the Wesley Hill Market.

Chan Nyok

Chan Nyok did not get the chance to go to school until he was 15. When the war came, he had to leave school; the schools were closed and many teachers were killed….
Chan’s story is a story common to many African Australians living in Castlemaine.

Tony Birch

Tony Birch is a Koori historian who teaches Indigenous History at the University of Melbourne. From 1997 to 1999 he held a part-time position as Senior Curator, Indigenous Cultures Program, at Museum Victoria. He is a widely published writer of poetry, fiction and history.

Elly Varrenti

Elly Varrenti has been in the performing arts world for many years. She has also spent the past 15 years as a freelance radio broadcaster for ABC 774 and Radio National and continues to make features and write opinion and think pieces for Radio National and The Age. Her book This is Not my Beautiful Life was published by Penguin in 2008 and a collection of her essays is due for publication late 2011. She is currently the Coordinator of Professional Writing & Editing at Box Hill Institute where she specialising in teaching memoir and short story.

You Wouldn’t Believe It

But it’s all true, and tonight you’re going to hear it from the masters. Unbelievable coincidences, hair-raising suspense and plain old hilarity preside tonight in our final session of It Happened to Me. Make sure you’re there for this unrepeatable night of tall tales.

Jarad Henry

Writer of gritty and “hard boiled” Australian crime novels drawn from his ten years of experience in the criminal justice system.

Shane Maloney

Shane Maloney was awarded the Crime Writers’ Association of Australia Lifetime Achievement Award in 2009 for his Murray Whelan novels.

Larry O’Toole

Established in 1977, Graffiti Publications is a family business committed to publishing a range of magazines, which promote Street Rodding as a hobby and business. Larry and Mary O’Toole are dedicated rodders whose passion and enthusiasm drive Graffiti!

Mark Dapin

Irreverent Good Weekend columnist, ex-editor-in-chief of Ralph magazine, winner of the Ned Kelly award for his “explosive, gritty, hilarious” fiction thriller King of the Cross and accidental Australian sumo champion.

From the Western Desert to Cape York, traditional ways are being reshaped in contemporary Australian society. While government policies struggle to deal with the impact of white fella culture on the lives of Indigenous people, remote communities are turning to film as a tool to document and share their knowledge and their culture.

This exhibition showcases a selection of key works resulting from Australian Print Workshop projects with artists from Aurukun (Qld); Bathurst Island (NT); Fitzroy Crossing (WA); Kalumburu (WA); Melville Island (NT); Moa Island, Torres Strait Islands; Ngukurr (NT); and Oenpelli (NT).

Since the early 1990s, Australian Print Workshop has worked collaboratively on projects with Indigenous artists and communities throughout Australia.

Over the years, Australian Print Workshop has developed important on-going partnerships with artists from as far afield as the Kimberley, Arnhem Land, the Tiwi Islands, Central Australia, Torres Strait Islands, Cape York Peninsula and south eastern Australia.

Australian Print Workshop frequently travels to remote communities in these regions to work on site with artists, often setting up a ‘bush workshop’ to enable artists to engage with the print medium for the first time.

As interest in the print medium has grown, artists have embarked on more ambitious projects, often visiting Melbourne specifically to work at Australian Print Workshop to produce more complex work.

Works produced as a result of Australian Print Workshop collaborations have been exhibited widely throughout Australia and overseas, and are represented in important collections around the world, including in the National Gallery of Australia, National Gallery of Victoria, British Museum (London) and Musee du quai Branly (France).

Mimih Figures — Susan Marawarr, Jimmy Njiminjuma, Kevin Djimarr, Mick Kubarkku, John Mawurndjul, Jimmy Bungurru, Jimmy An.gunguna, Owen Yalandja and Crusoe Kurddal

Figuring the Earth brings a focused integration of works of Indigenous and non-Indigenous Australian artists whose images and sculptural objects attest to the enduring power of the land to shape who we are as people and how we think. Figuring the Earth suggests that artists are simultaneously depicting — configuring — images related to the world, and in doing so are trying to ‘figure it out’; to come to grips with landscape, its mysteries, our place in it, our organic connection to the earth and other species with which we share. Judy Holding and John Wolseley have long-established practices of working directly in remote landscapes to absorb and evoke something of the primal force and beauty of places. For the various Arnhem Land artists in this exhibition, the land is formed and inhabited by spirit ancestors brought into material reality as a community of profoundly moving sculptural objects.